be careful
Learn each word, each word group, and each piece repeatedly, slowly and thoroughly, instead of casually "copying" the epitaph over and over again.
The history of calligraphy should be paid attention to
Knowing the ins and outs of various chinese alphabet styles will greatly deepen your understanding of calligraphy.
Learning books mostly starts with regular script
The study of regular script, don't be too persistent, it will not be so easy for you to come into our own. Even if it is to write orthodox regular script, it is necessary to make a timely transition to running cursive, otherwise the regular script will tend to become more and more rigid.
Written by Yuan Dalin
Friends who learn from Tang Kai and try to write original Dalin on a more proficient basis will have different feelings. For some controversial questions, such as, the front pen, or the hook of Okey, try to write the original text, and I believe you will find the correct answer.
Put some effort into researching writing tools.
Writing tools have a huge impact on your writing style, and finding the right combination of tools can make for a better writing experience. I think it should be understood that people who are good at writing are good at using the characteristics of various brushes to create beauty in different styles, not that any pen can write like this.
The ratio of time in calligraphy learning
I think plagiarism accounts for more than 90%. Don't rush to create. When the writing habits of the ancients became their own, creation came naturally. It is very difficult and nerve-wracking to create forcibly at a low level.
brushwork
"Brushwork" should be a concern for all of us who learn calligraphy. The brushwork has always been said to be mysterious and mysterious. In fact, I think that compared with the writing method, there is no enterprise that is relatively simple. And it is relatively easy to learn what you can learn by hand. The most important point of learning brushwork is the technical ability to analyze ancient ink marks. Specifically speaking, they are to achieve the goal of seeing that any other details of a student's pen use can be developed and basically formed correctly to judge how the pen is written. To put it simply, "just look at it Will", I think this is a necessary ability for efficient and accurate copying, and it is also the core of educational self-study practice ability. The stronger the working ability, the higher the learning efficiency. The main reason for the training method is to read more posts, get more familiar with the performance of brushes, explore slowly, and read some related books, such as "Brushwork and Composition" by Qiu Zhenzhong.
write
Although the law enforcement situation is different, the author believes that the word "flexibility" must be used. Flexibility is mainly reflected in the connection of fingers, wrists, and arms, and even the comprehensive use of body strength when writing large-scale works. Of course, aside from book lists and other particularly large characters, daily writing is mainly done by moving the fingers and then the wrist, which saves effort and is accurate. The problem for many beginners is that their fingers are too stiff and they are forced to use their wrists or elbows too much to control the movement of the brush. This can lead to writing fatigue and poor results.
A detail about Oukai
Friends who are close to Okai, please pay attention to a small detail. Okey's "mouth" is basically not sealed.
Questions worth learning
As for whether the regular script of modern people is worth learning, it depends on the starting point of individual learning. If the purpose is only to write standard, neat, and beautiful Chinese characters, then any Chinese character that meets this standard can be learned, even the italic characters in the computer can be learned. But if it is to allow oneself to reach a higher artistic level and gain deeper artistic enjoyment, it is obviously not a good choice to adopt the words of these people.
Taiwanese and mainland Mandarin have considerable differences in pronunciation and vocabulary, which are mostly caused by differences in geography, history, politics, social culture, and linguistic environments.
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